01 02 03 Miss Smartie's Sewing 04 05 15 16 17 18 19 20 21 24 21 24 21 24 21 24 21 24 25 26 27 28 29

Miss Smartie's Sewing

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Tuesday, 13 January 2015

The Secretary Blouse: Construction Part Two: Sewing Instructions

All seam allowances of 1,5 cm are included in the pattern if not specified all seams should measure 1.5 cm.
If your fabric frays zig zag all pieces first.
In the illustration:
white pieces = right side of fabric showing
grey pieces= wrong side of fabric showing
blue parts= interfacing

Collar


1. Pin lower collar (7) to upper collar (10) matching symbols. Match interfaced pieces with interfaced pieces and non interfaced pieces with non interfaced ones. Stitch between circle and square. Press seam open.

2. Pin the interfaced collar pieces to the non interfaced collar pieces. Match all symbols. Cut in 1.3 cm at inner corner to be able to press seam flat. Stitch over the edges, breaking stitching at the square (inner corner) to make a couple of backstitches securing this point. Trim edges, turn right side out and press.

3. Baste neck edge.

Facing

1. Finish lower edges on back facing (8) and front facing (9) (with bias, zig zag or overlock).

2. Stitch front facing (9) to back facing (8) matching symbols. Press this seam open.

Body 

1. Pin front (2) pieces to side front (3) pieces matching symbols. Stitch between circles. Unpin unstitched seam. Press to center front.


2. Stitch back (4) to side back (3) with a French seam:
      2a. Pin back to side back right sides of fabric showing. Stitch 0.5 cm from edge.
      2b. Turn wrong side out, press along seam and stitch again 1 cm from edge.



















3. Stitch shoulders matching triangles and notch to French seam. Press this seam open.

4. With body spread out as shown in the illustration pin collar to body matching symbols (circles and triangles). Pin collar on fabric with the interfaced collar pieces at the bottom. Pin facing over body and collar, matching symbols and shoulder seams. Stitch making sure the layers won't get caught in stitching. (illustration is showing pinned collar only on right side and facing on left side.)

5. Trim the inner corner of front piece as sown on illustration. Trim though all layers of fabric.

6. Turn facing to inside of garment. Match with side and armhole seams. Baste facing to body of garment at 1 cm of the edge. Press the collar, right side out.

7. Close side seams.

8. Pin seam between left (when facing the garment right side out and front to back) front (2) and left side front (1) from circle down, press to the left.  Pin left edge of right front piece (2) over this seam, matching edges of fabric. Stich seam.

 9. Pin  left side of left front (2) with wrong side on right side of right front (2). Turn garment inside out. Close seam between rigt front (2) and right side front (1) replacing the pins keeping left front sandwiched between. Stitch.

Sleeves

1. Pin cuff (6) pieces together matching interfaced with non interfaced cuff, leaving the top open. Stitch 1.5 cm from the edge stitching over the edges. Trim, turn right side out and press.

3. Press under 1.5 cm seam allowance at the top.

4. Stitch side seam of sleeves. Cut lower edge of sleeve until circle.

5. Sandwich lower edge of sleeve between cuff. Top stitch 0.5 cm from edge of cuff.


6. Set in sleeve matching notches and circle to shoulder seam. Stitch easing in fabric at top of sleeve.

Finish

Finish with a 4 cm double folded seam: Measure off 2 cm of lower edge of garment. Press this under. press this under again. Top stitch at 1.5 cm from lower edge.

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The Secretary Blouse: construction part one: pattern, fabric, markings and interfacing.

Preparing the pattern

cutting of the white paper strip
Print the pattern using your normal settings on your regular printer. You can print in black and white to save colours.

Tape together the pattern pieces you have printed. You will have to cut off the excess blank 0.5 cm on the edge of your paper, if you only need to do this on the left and upper sides of your paper since you can overlap the remaining white spaces.



matching pattern lines while taping papers together
The pattern was deliberately made to overlap seen as many printers won't print the outer 0.5 cm that would mean losing 0,5 cm of the design. If your printer somehow does print these 0.5 cm you will still have to overlap the pattern pieces this much.

Paste everything together with tape making sure all pattern lines run continiously. You should first tape seven papers together for the first row and then continue to make a second and later a third row.

first row of largest pattern range

After taping everything together you can cut out the pattern pieces. If you are making one size cut out that size (you will recognise it by the colour and the dots in the line) as securely as possible. If you want to make adjustments for a better fit since your size was not the same at bust and waist you can find a tutorial on  how to do this here. (under construction)













Cutting out the fabric




Arrange your pieces on the fabric. The more experienced sewers can use the pattern layout above, witch I used for my fabric of  150cm wide. I did make one of the smaller sizes so that might make a difference.

If you buy 1,5 m fabric I think you will have plenty for this design in all sizes. I certainly didn't use as much but one meter would not have been enough. (In the end I used 90 cm of the full with of the fabric and a square of 60 by 60 cm for a size 2).

Fold your fabric in half from selvage to selvage with the good side of the pattern on the inside the stretch of your fabric should go horizontally. Lay out the pattern pieces as they have been drawn on the first picture above. Make sure you align the arrows perpendicular to the selvages (edges) of your fabric. Pattern pieces with arrows pointing to one straight edge have to be cut on the fold. Place these pieces on the fold you made in your fabric. If you are happy with the placement cut these pieces out, leaving the pattern attached.

Fold the remaining fabric over 30 cm with the right side in. Lay out the pattern pieces like the second drawing (bottom left). You might have to redo the fold to make sure all pieces fit. Cut these out too. Fold the remaining fabric over again, now folding over 45 cm. Cut out the remaining pattern pieces (picture bottom right).

Interfacing

You should use a pretty stiff interfacing for this pattern since the collar really needs to stand out. It doesn't necessarily have to be a stretch interfacing for the collar pieces (7 and 10) but I would recommend using a stretch interfacing on the cuff piece (6) since that will need to accommodate some wearing stretch when moving your arms.

Cut out interfacing as seen in the layout on the left. You will also need to cover 2 cm of the facing pieces (8 and 9) to stabilize the neckline. (this is visible in the picture as blue shaded areas) you can use scrap interfacing here if you like, putting the edge of the pattern piece on the interfacing and tracing it. You can also use two different straps for piece 9 one horizontal and one vertical if you overlap both slightly to save interfacing.

The next step is to apply the interfacing, this is mostly done by fusing (ironing) it to the fabric. Make sure you iron on the smooth side/ non shiny side, otherwise the glue will stick to your iron! You should also have mirror images of the facing for pieces 7 and 9.

Markings

Transfer all markings (circles, triangles and squares) with your preferred method. I like to use carbon paper since it's easy. I put the fabric and pattern pieces on top of the carbon paper, trace around the markings, remove the pattern, turn over the fabric (with pins still in) putting the unmarked side on top of the carbon paper and then trace around the first markings. It's important to note that all markings should be made on the wrong side of the fabric.
Cut out all notches (small triangles stuck to the edge of your pattern).

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Monday, 12 January 2015

The Secretary Blouse: measurement system

I do not like standard clothing sizes. The main reason for this is that no-one has a standard body. Society makes us uncomfortably aware of this problem. One thing I like about making your own clothes is this: I always feel that when a piece of clothing I've made doesn't fit, it's the fault of the clothing, not of the body it was made for. If a ready to wear item doesn't fit, somehow it tells us that it's the fault of our body since it's not normal/thin/long/curvy/... enough.

I also know that women tend to get attached to their 'size' and tend to believe that their size will fit them, even when switching designers or from ready made to homemade clothing.  This is not the case. All brands use a slightly different measurements system, not to mention the mess when you take into account the different systems for the different countries.

When making your own clothes it's really important to get the fit right. To customise your pattern to fit your unique body. That's why I decided not to use any regular clothing sizes. You will have to measure yourself to know witch size you are. And Yes, I have deliberately not skipped all uneven numbers, so your size will appear to be smaller than usual. Because I know how hard a lot of you will find it if you have to use a bigger size. Please believe me that the result will look better on you if you use the size your body actually has an not the size you want your body to have.

In the following table you will find the final measurements of this pattern. All measurements are given in centimetres. If your fabric is stretchy enough (10cm of it should stretch as far as 14cm) and your measurements of the bust and waist are not more than 1 size apart (you are for example either size 5 for bust and waist or you are a size 6/4 in one and a 5 in the other) you can execute this pattern as is. If your bust is more than 1 size larger than your waist (congrats by the way) I recommend that you still only scale down one size at the waist to prevent issues when putting the clothing on. You could also add a zipper in the side.


1 2 3 4 5 678910
Bust 78,4  82,4 86,5 90,5 94,7 98,8 102,9 107 111,1 115,2
Waist 56,8 60,8 64,8 68,8 72,8 76,8 80,8 84,8 88,8 92,8

If you've found your measurements download one of the following files. You will also need about 1,5m of stretch fabric for all sizes and a piece of rather stiff interfacing.

Sizes 1-5
Sizes 4-7
Sizes 6-10

When your measurements are between sizes you can follow a tutorial on how to adjust the pattern to your own measurements here (under construction). 

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Tuesday, 1 April 2014

the Joan dress fitting and sewing

I wrote this post wile putting together the muslins for the Joan dress I made. This was partly to have a guide for myself when I had to put the real dress together later on and just to completely share the process with you.

I made two muslins and the real dress. I adjusted the pattern that much during that first stage that I felt it necessary to make a whole new one. I should have put more time in adjusting the sleeves because they do not look right at the moment. Luckily my arms are still usable.

Cutting out the fabric

I found cutting out the pattern pieces so they would all be right side up in the finished product one of the most challenging problems in pattern drafting. Since this dress is Asymmetrical getting that right was essential. I do not have any tips that are foolproof but I try to put the direction to cut the patter pieces in on the pattern itself. I didn't count on changing the direction of how the fabric. Is laying however. So I should add witch side of the pattern should be cut with witch side of the fabric up next time.

these are the pattern pieces:

back bodice on the fold
back skirt on the fold
front skirt on the fold (accidentally but I thought the excess worked well as a facing.)
yoke on the fold
left half of the front skirt.
waistband twice
left bodice front
right bodice front
collar and facing for front

I added the required seam allowances (4 cm for the hem at the bottom, 1.5 cm everywhere else except the edges of the facing) if you haven't done so in your final pattern. If you are only making a muslin I recommend to leave the pattern pieces without seam allowance or mark it of very clearly. Seam allowance can get in the way while cutting and slashing the pieces to adjust them and makes it more difficult to make changes while fitting the muslin in my opinion.

Sewing

I'll start with sewing all of the darts and pleats. I'm trying to finish the pattern pieces separately (front, back, skirt, bodice, waistband) and then add them together at the end.

1. Sew the darts in the back bodice and the front bodice. Nothing special here.
2. Sew the pleats in the skirt parts.
      Had my doubts about the fact that I designed the front pleats to be sewed down. I liked my back  pleats however so I kept the front design as well. Make sure to iron the pleats to the sides on both pattern pieces.
3. Sew the yoke to the back and front bodice parts. Try this on. check the placement of the horizontal seams. Make sure the seam line is continuous. That means that the edge should not be jaggedly jumping around.
4. Sew the front facing and collar to the bodice. Make sure to cut and pin your facing part the right way! I messed up the first time. You want a mirror part of your bodice, so if the rectangle of your bodice faces right, face the rectangle of the facing left while cutting.  There is a part where you have to snip the collar to be able to sew it properly. This is the left top if te rectangle. Make sure to pin and check the placement of the pins. Sew the edges of the collar back together. Just put seam on seam. I used bias binding to make a clean finish here in my final dress. Iron in the collar pleats. Use steam.
5. Sew the facing to the left bodice piece making sure the pinned fit is right first. sew the facing in two places at the end of the fabric and in the crease of the fabric. But make sure that you keep the loose flap effect. Do not sew to close to the seam. Depending on where the flap goes it will try to fold back on itself. Try to secure this with hand stitching while fitting. Sew up on the inside up until the part where the fabric should fold over.
6. sew the side seams, leaving room for the zipper in the left seam.
7. Sew the front skirt pieces together. leaving a split in the front. Check how much these pieces should overlap depending on the bodice. the flap must seam continuous. Sew along the top of this pattern piece to ensure that the pleat stays right. Iron the pleat in. I might also try some interfacing to get the required stiffness.
8. sew the side seams leaving room for the zipper in the left.
9. connect bodice and skirt with the waistband.
10. Set in the sleeves.

the second muslin
for the second muslin I redrew All pattern pieces so that the seam allowance is included. this makes the cutting and constructing a lot easier. If you do this make sure that the seams align and not just the seam allowances. There is a difference sometimes and it might make you put the notches wrong or put the whole thing together badly.

I was able to sew this in approximatelyone day. Constructionwent pretty smoothly. I did make some mistakes in the real dress because of deadline stress. I used French seams as much as possible and bias binding where it was not. For the hem I used a blind hem.

 I'm happy I took the trouble of testing this dress for a second time but should have tweaked the sleeves more. I feel however confident that I will be able to fix this.

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Saturday, 15 March 2014

Past projects part 2: the pretty petticoat


My best friend is crazy about the 50'ies and she has wanted a petticoat for years. A while back we got adventurous and decided to make one of our own. We went and bought 8 m of tulle and some satin (I think 1.5 m for the both of us). In the end I would recommend more fabric for the lining, since we ran a bit short (my bad for forgetting the wearing ease mostley). We chose a bright neon green since we really were feeling adventurous, and I do like the way it turned out. It's pretty lively and looks pretty peeking out of your dress.

I had been searching the web for the perfect petticoat pattern for ages and hadn't found anything that I really liked, so I made the pattern for this petticoat myself with tips and tricks I picked up from loads of other tutorials. Drafting this pattern isn't difficult at all, but since there are so many options it can get confusing.

I do love the possibility's of petticoats, especially for bridal and evening wear. You can really make any shape you like to enhance the shap you have. I think I might like a mermaid one as well, one day. I do recommend tackling this project with two people since that really came in handy while cutting the fabric. We ended up spending  a day on the cutting alone. But in the end, it's quit cheap to make, compared to a purchased one. I think we spend 6 euro on the tulle and 3 on the satin (per person) and 3 for thread, and yes you will need a lot of that. Compared to prices asked for petticoats in stores, that's saving bundles.

The construction turned out to be slightly trickier than I antisipated. But it's still fairley straightforward if you've ever used a sewing machine before. It does involve lots of gathering and pinning and that can be a bit tricky if you've never done that before. If you are teaming up for this project it's easiest to have one person pin and the other person gathering. The last reason why I would recommend teaming up for this particular project is that gathering and pinning yards and yards of fabric can get a little boring without propper company.

The Petticoat underneath a dress. 

Since we only had limited time to finish this project it got a little stressy resulting in me making a lot of beginners mistakes that only slowed the proces down even more. I for example forgot the wearing ease while cutting out the inner skirt. I ended up having to insert a strip of fabric, since the leftovers weren't large enough for a new piece.
I also should have used two different pieces of fabric for the waistband and the lining since now the good side of the lining is facing inwards, but since the petticoat is see through it looks a bit weird.
I regret not making the lining in a stretchier fabric that would make walking a tad easier.
I ironed the lining separately since you cannot iron tulle (it will melt). This gave me the crisp crease I wanted in the hem and the waistband.

Conclusion: I'm really happy with how this project turned out. the petticoat is very versatile and cheap compared to a bought one. It did take quite some time to make but I feel it was totally worth it. Although I made some mistakes in the pattern, I've got a good idea how i'll fix them next time around. Since It's an undergarment no-one will notice anyway so I cant be botherd unpicking it all.

I will make an in depth tutorial on how to make this or any other petticoat in my next post.




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