01 02 03 Miss Smartie's Sewing 04 05 15 16 17 18 19 20 21 24 21 24 21 24 25 26 27 28 29

Miss Smartie's Sewing

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Tuesday, 1 April 2014

the Joan dress fitting and sewing

I wrote this post wile putting together the muslins for the Joan dress I made. This was partly to have a guide for myself when I had to put the real dress together later on and just to completely share the process with you.

I made two muslins and the real dress. I adjusted the pattern that much during that first stage that I felt it necessary to make a whole new one. I should have put more time in adjusting the sleeves because they do not look right at the moment. Luckily my arms are still usable.

Cutting out the fabric

I found cutting out the pattern pieces so they would all be right side up in the finished product one of the most challenging problems in pattern drafting. Since this dress is Asymmetrical getting that right was essential. I do not have any tips that are foolproof but I try to put the direction to cut the patter pieces in on the pattern itself. I didn't count on changing the direction of how the fabric. Is laying however. So I should add witch side of the pattern should be cut with witch side of the fabric up next time.

these are the pattern pieces:

back bodice on the fold
back skirt on the fold
front skirt on the fold (accidentally but I thought the excess worked well as a facing.)
yoke on the fold
left half of the front skirt.
waistband twice
left bodice front
right bodice front
collar and facing for front

I added the required seam allowances (4 cm for the hem at the bottom, 1.5 cm everywhere else except the edges of the facing) if you haven't done so in your final pattern. If you are only making a muslin I recommend to leave the pattern pieces without seam allowance or mark it of very clearly. Seam allowance can get in the way while cutting and slashing the pieces to adjust them and makes it more difficult to make changes while fitting the muslin in my opinion.

Sewing

I'll start with sewing all of the darts and pleats. I'm trying to finish the pattern pieces separately (front, back, skirt, bodice, waistband) and then add them together at the end.

1. Sew the darts in the back bodice and the front bodice. Nothing special here.
2. Sew the pleats in the skirt parts.
      Had my doubts about the fact that I designed the front pleats to be sewed down. I liked my back  pleats however so I kept the front design as well. Make sure to iron the pleats to the sides on both pattern pieces.
3. Sew the yoke to the back and front bodice parts. Try this on. check the placement of the horizontal seams. Make sure the seam line is continuous. That means that the edge should not be jaggedly jumping around.
4. Sew the front facing and collar to the bodice. Make sure to cut and pin your facing part the right way! I messed up the first time. You want a mirror part of your bodice, so if the rectangle of your bodice faces right, face the rectangle of the facing left while cutting.  There is a part where you have to snip the collar to be able to sew it properly. This is the left top if te rectangle. Make sure to pin and check the placement of the pins. Sew the edges of the collar back together. Just put seam on seam. I used bias binding to make a clean finish here in my final dress. Iron in the collar pleats. Use steam.
5. Sew the facing to the left bodice piece making sure the pinned fit is right first. sew the facing in two places at the end of the fabric and in the crease of the fabric. But make sure that you keep the loose flap effect. Do not sew to close to the seam. Depending on where the flap goes it will try to fold back on itself. Try to secure this with hand stitching while fitting. Sew up on the inside up until the part where the fabric should fold over.
6. sew the side seams, leaving room for the zipper in the left seam.
7. Sew the front skirt pieces together. leaving a split in the front. Check how much these pieces should overlap depending on the bodice. the flap must seam continuous. Sew along the top of this pattern piece to ensure that the pleat stays right. Iron the pleat in. I might also try some interfacing to get the required stiffness.
8. sew the side seams leaving room for the zipper in the left.
9. connect bodice and skirt with the waistband.
10. Set in the sleeves.

the second muslin
for the second muslin I redrew All pattern pieces so that the seam allowance is included. this makes the cutting and constructing a lot easier. If you do this make sure that the seams align and not just the seam allowances. There is a difference sometimes and it might make you put the notches wrong or put the whole thing together badly.

I was able to sew this in approximatelyone day. Constructionwent pretty smoothly. I did make some mistakes in the real dress because of deadline stress. I used French seams as much as possible and bias binding where it was not. For the hem I used a blind hem.

 I'm happy I took the trouble of testing this dress for a second time but should have tweaked the sleeves more. I feel however confident that I will be able to fix this.

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The Joan dress



















It's finished!! I did a crazy day of deadline sewing today and made the dress all in one go. Unfortunately that did not leave a lot of room for tweaking and unpicking for better adjustments. I'm so happy with my dress! To bad it's nighttime now and I cannot make awesome sunlit pictures in the garden.














I think the dress turned out fairly all right. It's the first woven fabric pattern I made from scratch and it's totally wearable! I can move! hurray! I really like the sunburst pleating I did in the back in hindsight and I love how the collar turned out. I did three muslins to get it that close so I'll stick with this result. The only thing I don't like all that much are the sleeves, I didn't really plan them to come out this way, and they don't fit 100 procent right. There is too much room on top and to little at the bottom. No idea weather this is because of the pattern or the sloper I made. I'll try to tweak them later on. I also added an extra belt. I felt that the waistband of the dress was not giving enough definition on it's own. Probably because I'm not Christina Hendricks. Too bad...

Full details on how I made this pattern and a tutorial to make your own can be found here construction drawing and design choises and here how to adjust a sloper to this pattern.

I love the fabric, it may be a bit bleak but it has a really nice texture and drape to it. I went looking for a fabric that looked warm and coat like but was fit to be worn as a dress. This was rather difficult since they mainly had summer fabrics at the fabric fair when I went and bought the fabric. I chose a natural looking green becouse it's still close in spirit to the rusty brown of the original dress but suits my wardrobe better. remains in the  I thought it would be hellishly difficult to sew since it was very slippery while cutting out the pieces but it came out alright. The real dealbraker today was the tread, it kept on breaking without any apparent reason!

I styled the dress with an awesome swarovski spider pin from my mom. The stone fell out just before the photo (nothing unfixable however), but I think it still looks nice. And red boots because red shoes are awesome.

The dress features French seams where possible and bias binding where it was not. The hem is finished with a blind hem machine stich.










 


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Tuesday, 4 March 2014

The Joan Dress construction drawing


When trying to get my head around how a dress or piece of clothing is pieced together I like to make some construction drawing sketches. These basically show the construction of the garment, where the seams are supposed to go, where the garment is tightly fitted and where it is flary, if there are any darts or other forms defining features.

The front of the dress is pretty straightforward. It features a pencil skirt, waistband and a shirt like bodice with a sculpted collar.


The bodice:
I can see two large bust darts, crossing the bust slightly right of the bust point and ending somewhere above that point. The bust point is the point in your bust that is the fullest, most protruding part.
The shoulder seams are not on top of the shoulder but at a slanting angle some cm down from the shoulder. This lets me to believe that there will be some form of yoke at the back of the dress. (a technique often seen in Safari shirts,...)
The bodice has arms that extend right to the elbow and are close fitting.
The most important part however is the crossing wrap like fabric. Which ends on the right side into a folded over collar and on the left side in a loose decorative flap.

The waistband:
seems to sit really snugly in the picture, bodice fabric seems to hang over it a bit. This feature accentuates the hourglass figure of the dress.

Skirt:
A rather regular pencil skirt with three slanting pleats in stead of darts at the top to give the skirt it's fullness. Pleats are all in the side quarters of the skirt.


back:
Since I have only one picture of the Joan dress, had to imagine / design the back myself.
As I said I expect the use of a yoke in the back, and of course two darts to match the design of the front body. I added an ornament to the waistband at the back for closure off the dress (I will explain in a moment). And added the same pleats as in the front. Realising then that there has to be some booty room in the back of the skirt I added some more, all slanted and getting progressively larger. I probably will change that in the future though.

Closing:
I suspect the dress on the picture is probably closed with a zipper from the side and the front is just a fake wrap dress with the front being stitched down invisibly by stitching a facing (dotted lines on the picture) for the front part to the back part. I might just do that but I got another crazy idea too. Use a zipper in that front seam and make the waistband wrap around and snap shut at the center back. That way it really is an easy step into wrap dress, without any risk of 'unwrapping'.

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