01 02 03 Miss Smartie's Sewing 04 05 15 16 17 18 19 20 21 24 21 24 21 24 21 24 25 26 27 28 29

Miss Smartie's Sewing

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Tuesday, 1 April 2014

the Joan dress fitting and sewing

I wrote this post wile putting together the muslins for the Joan dress I made. This was partly to have a guide for myself when I had to put the real dress together later on and just to completely share the process with you.

I made two muslins and the real dress. I adjusted the pattern that much during that first stage that I felt it necessary to make a whole new one. I should have put more time in adjusting the sleeves because they do not look right at the moment. Luckily my arms are still usable.

Cutting out the fabric

I found cutting out the pattern pieces so they would all be right side up in the finished product one of the most challenging problems in pattern drafting. Since this dress is Asymmetrical getting that right was essential. I do not have any tips that are foolproof but I try to put the direction to cut the patter pieces in on the pattern itself. I didn't count on changing the direction of how the fabric. Is laying however. So I should add witch side of the pattern should be cut with witch side of the fabric up next time.

these are the pattern pieces:

back bodice on the fold
back skirt on the fold
front skirt on the fold (accidentally but I thought the excess worked well as a facing.)
yoke on the fold
left half of the front skirt.
waistband twice
left bodice front
right bodice front
collar and facing for front

I added the required seam allowances (4 cm for the hem at the bottom, 1.5 cm everywhere else except the edges of the facing) if you haven't done so in your final pattern. If you are only making a muslin I recommend to leave the pattern pieces without seam allowance or mark it of very clearly. Seam allowance can get in the way while cutting and slashing the pieces to adjust them and makes it more difficult to make changes while fitting the muslin in my opinion.

Sewing

I'll start with sewing all of the darts and pleats. I'm trying to finish the pattern pieces separately (front, back, skirt, bodice, waistband) and then add them together at the end.

1. Sew the darts in the back bodice and the front bodice. Nothing special here.
2. Sew the pleats in the skirt parts.
      Had my doubts about the fact that I designed the front pleats to be sewed down. I liked my back  pleats however so I kept the front design as well. Make sure to iron the pleats to the sides on both pattern pieces.
3. Sew the yoke to the back and front bodice parts. Try this on. check the placement of the horizontal seams. Make sure the seam line is continuous. That means that the edge should not be jaggedly jumping around.
4. Sew the front facing and collar to the bodice. Make sure to cut and pin your facing part the right way! I messed up the first time. You want a mirror part of your bodice, so if the rectangle of your bodice faces right, face the rectangle of the facing left while cutting.  There is a part where you have to snip the collar to be able to sew it properly. This is the left top if te rectangle. Make sure to pin and check the placement of the pins. Sew the edges of the collar back together. Just put seam on seam. I used bias binding to make a clean finish here in my final dress. Iron in the collar pleats. Use steam.
5. Sew the facing to the left bodice piece making sure the pinned fit is right first. sew the facing in two places at the end of the fabric and in the crease of the fabric. But make sure that you keep the loose flap effect. Do not sew to close to the seam. Depending on where the flap goes it will try to fold back on itself. Try to secure this with hand stitching while fitting. Sew up on the inside up until the part where the fabric should fold over.
6. sew the side seams, leaving room for the zipper in the left seam.
7. Sew the front skirt pieces together. leaving a split in the front. Check how much these pieces should overlap depending on the bodice. the flap must seam continuous. Sew along the top of this pattern piece to ensure that the pleat stays right. Iron the pleat in. I might also try some interfacing to get the required stiffness.
8. sew the side seams leaving room for the zipper in the left.
9. connect bodice and skirt with the waistband.
10. Set in the sleeves.

the second muslin
for the second muslin I redrew All pattern pieces so that the seam allowance is included. this makes the cutting and constructing a lot easier. If you do this make sure that the seams align and not just the seam allowances. There is a difference sometimes and it might make you put the notches wrong or put the whole thing together badly.

I was able to sew this in approximatelyone day. Constructionwent pretty smoothly. I did make some mistakes in the real dress because of deadline stress. I used French seams as much as possible and bias binding where it was not. For the hem I used a blind hem.

 I'm happy I took the trouble of testing this dress for a second time but should have tweaked the sleeves more. I feel however confident that I will be able to fix this.

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Friday, 28 March 2014

The Joan dress pattern construction

I started work on the Joan dress for the mad man competition. I'm seriously doubting weather I will be able to finish it before the deadline, but school has been enormously busy lately. This is how I adjusted the basic sloper pattern I made earlier to make the Joan dress I discussed in the construction drawing post earlier this month. I made some photo's during the process, but since it's usually a lot of trial and error for me I doubt I can show you guys a really clear step by step tutorial on how to draft this dress for yourself. I have jet to make a muslin for this project but I will be sure to add any changes I need to make to this description later on.

note: I did do a muslin before publishing this. I made a lot of changes mainly because I had the waistband marked to low at first and because my side seams where off by two cm. A mistake I made in my sloper pattern but only caught up on while making the muslin. This caused a lot of trouble to get right the second time. But the good news is If you get it right the first time it won't trouble you at all. I will add the pictures to this tutorial after finishing the dress.

If you want to do this process for yourself just follow the steps I discus below. Be sure to copy your basic sloper and all of it's construction lines first.

The back of the dress

I like to add all of the horizontal lines in my construction drawing first before manipulating any darts or existing construction points. That way I can separate the pattern pieces before changing them. I started out by deciding where the waistband should go. I decided to place it evenly around the waistline and make it 5cm wide. I marked this on a my dress sloper (not the original) and just drew a straight line parallel with the waistline 5cm above the waistline.

Next I checked the length of the dress and figured that I needed some extra cm to get it to the right just over knee length. I measured my waist to length of skirt measurement from scratch and simply added the extra cm at the bottom.

The last horizontal line in the back of the dress is the yoke. I wanted it to curve in a little and start somewhere halfway up the armhole. I took the existing construction line of the with of back measurement and measured 2 cm up from there. I then connected these two points with a French curve, intersecting the very tip of the shoulder dart. This makes the adaptation somewhat easier.

I then cut out all pattern pieces along these horizontal lines. Separating them into a back bodice, back of waistband, back skirt and back yoke.

Manipulating the back darts

Let's start with the easier pattern pieces. For the yoke I just folded the dart shut and taped that down. Since the dart separates the whole part in two I didn't have to do anything else. I did the same for the waistband, making sure that I left in all of the required room. That means I only folded in the dart parts that crossed the entire pattern piece vertically.

Next came the back bodice. I wanted the dart to start in the middle and go up at an angle in the direction of the shoulder blades. I drew the new dart line I wanted in and cut the pattern open along this line and along the original dart line. I then just taped the original dart shut as precisely as possible. The new dart automatically opens up the required space.

The most difficult part of the back of the dress is the sunburst pleated skirt. I wanted some special details here that would mirror the pleats in the front dress but at the same time elegantly stress the female shape. I drew in several pleats with varying lengths. To get these onto a pattern I first figured out where I wanted the pleats to go and how long I wanted them to be, this process is arbitrary. I made the middle pleats longer and matched them to the new darts in the back bodice. I then drew in two shorter pleats in a sunburst pattern, experimenting a bit to see witch lines pleased me the most. After doing that It's smart to mark these lines clearly and mark where you want your pleat to end. Since these pleats are meant to add a little extra fabric you will have to cut them open beyond that point. I cut them all until the hip line and then cut them loose again. I put all these pattern pieces on top of some pattern paper and started tracing around. I started piecing the pattern together adding the extra fabric I wanted in between the ends of the darts. (1cm). I did this by laying out the pieces and shifting them around. The pattern pieces shouldn't overlap at the hip line or your pattern will be ruined. You have to move the pattern piece up to solve this. The finished piece should look something like this.
original dart

Front of the dress

The front of this dress is tricky in all of its simplicity. Lets start with the easy parts. Mark of the waistband as before 5 cm on top of the waistline. Lengthen the skirt by the same amount as you did in the back. Decide on where the front yoke should go. This is a bit tricky since the shoulder dart is in the way now. Draw a line from where you think it should go to the dart. At the angle you want. Measure from the shoulder along the dart line how much you have taken away. Measure the same length on the other side of the dart and mark that point. Draw a line from this point to where you think the yoke should end. Cut these parts out and paste them together along the dart line. Add the front yoke to the back yoke at the shoulder seam.

Fold the darts of the waistband shut and tape them down. Add front and back waistband together by putting the points of the pattern together and adding some extra room where the side seam would normally go. Trace around this entire piece and tape together at the right seam.

The skirts construction is very similar to the back skirt. Just close the original dart and mark of the pleats. The only difference between back and front is the placements of the darts (at regular intervals in the side half of the pattern piece, at a slight angle and 2.5 cm long. I also added 1cm of fabric in between the darts and cut these open rather far. Folded open the pattern and taped everything in place.

The front bodice is the most complicated part of the dress. The collar is really defining for the cut and the pattern needs a lot of adjusting. I changed the original darts first and then started worrying about the collar. I simply increased the height of the original vertical dart so that it reaches slightly beyond the bust point. I then cut both darts open and closed the top dart, taping it shut. The new dart is a wider version of the original dart.

For the right part of the collar I drew the neckline down by hand in a way I thought resembled the picture. I messed this one up hugely first time around. I recommend using a sewing dummy with the sloper pattern lines visible on top of it while trying to judge this. You will have to go reasonably low since the collar will otherwise smother you. I'll add a picture later of this pattern piece with the Original sloper neckline, my first and my corrected neckline. I just drew this on my muslin while fitting and transferred to the pattern later on. It's still in a curve that is sort of pointed.

If you have drawn in the neckline you can now measure the length of the collar. just measure along the line you drew with your tape measure curved. Do not forget to add the yoke part of the neckline twice since that's cut on the fold. This will be the width of your collar pattern. For the height you will need to decide the look of your collar yourself. If you want a 5 cm collar you will need this twice and a standing piece of 4 cm twice as well. this was much to much collar for me so I took it down 1.25 cm on all of these measurements for my second sloper. Write these measurements down somewhere, we have to make the front collar piece first.

the front collar flap is a rectangular extension of the Original bodice. extend the bodice piece until the fold. this is until the left bust dart for me. draw a line perpendicular to the bottom of the bodice and up. decide where you want the folding point. this is more or less at the same height as the darts. (You can just draw a line from the tops of the darts till the side to determine this point. connect this point to the start of the shoulder and draw a square with this line as a diagonal. If you used this pattern you would just have a straight flap. looking at the picture however the fabric is folded over and the collar extends into the front flap. to get this effect measure up half of the collar height measurement you took. (so if you did 5 cm and 4 cm stander you would have 9 cm here.) square this of and make a rectangle on top of the square. the collar will connect to this flap on the straight line from shoulder to the top. The only thing you need now is a facing for this part (since if it flaps over you would normally see the wrong side of the fabric. put a piece of pattern paper on top of the pattern you just drew. copy the lines of the rectangle and the shoulder. Decide where you would like the facing to end along the shoulder seam. connect this to a point you choose along the bottom of the bodice. I took the dart placement since then I can connect my pattern piece to the left bodice part. In a subtle way. tape the rectangle you drew for the collar to this piece at the left vertical line of the rectangle, connected to the shoulder. you should have half of the collar piece taped to the rectangle and half of it sticking out of the top.



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Sunday, 9 March 2014

The basic dress sloper: drafting tutorial

Now for the drafting of our sloper. If you are reading this you should have gathered the materials listed in the previous post and have an accurate set of your body measurements.

The paper: 

set out with a piece of pattern paper measuring half of your bust measurement + 15 cm wide and the length of your body -50 cm.

Adjusting measurements for ease:

Something crucial in making garments is ease. This will allow you to actually move in the clothing you design. There is a minimum wearing ease that is 6 cm in the bust area, 2 cm in the waist and 4 in the hips. Some sources will list other measurements, but these values work for me. I like to keep my wearing ease as small as possible and let the design ease take care of itself in the design process. Mark the extra values on your list of measurements and make the calculation. You will need to use these measurements multiple times and it's easy to forget to add the extra cm at one point. This will ruin your garment for you. That's why it's important to have the new measurement clearly on your list of measurements while working. (This will also save you the headache of having to start a garment over when you forget your wearing ease)

Half and quarter measurements

Since This is a pattern that's meant to go on the fold of the fabric it only pictures half of your body. That's logical since your body would normally be symmetrical and this saves us a lot of pattern paper and it makes drafting and cutting the pattern a lot easier. Because of this we will be using a lot of half and quarter measurements. Do not freak out, the garment will end up with the right measurements! We quarter measurements since half of our drawing will be half of the front body and the other half will be half of our back. (Made more sense in my head) You will see what I'm getting at here wile we are drafting...

The basic layout

Draw a line parallel with the bottom of your paper. This will be your knee line. I like to make a real dress sloper out of these patterns because I tend to make mostly dresses. You could do a shorter version ending at the hips. Drafting the whole thing enables me to mark some standard lengths for my skirts, which saves me a lot of time while drafting, since I tend to want to measure how log I want something to be, then start trying to measure myself, ending up with a measurement that's completely wrong, realising this, just guessing what length I will need, reasoning that I can always cut of the excess fabric and measuring some extra, and then waste fabric or end up with a super fat hem for being lazy and not cutting the excess off.



Ok, sorry for drifting off topic, next you draw to lines perpendicular to this first line and logically parallel to the side edges of the paper. Do this approximately five centimetres from the edge of the paper. The black line in the picture should measure half of your hip measurement + 5 cm. These two lines will be the centre back and centre front of your block. Mark these if you feel like doing so. I like to add the cut this pattern on fold symbol with the arrows on these lines.

Next measure your waist to hip length on both sides of the pattern. Connect these points by squaring of of the sides or with a long ruler. By measuring both sides you ensure that the line you draw is straight and parallel to the knee line. (This is important for a good fit and an accurate pattern). The line you just drew is your waistline. (indicated in orange above) I like to mark that in a subtle way, just to make things easier for yourself. You can also inscribe your waist measurement and the amount of ease you used here.




You can already see we are going along a perpendicular to the sides parallel with the knees and waist theme here. Its just easy to add these construction lines all in one go. Measure the waist to hip measurement down from the waistline on both sides. Connect these points or square of from this point. This is the hip line.

Next we are going to construct the bust line. This is in fact the line where our armholes will begin and lies above the real bust line. To do this, measure the height of the arm and subtract 2 cm from that measurement. These two centimetres are necessary to be able to move your arms in your pattern. Square this line off like you did with the previous measurements.

The side seams




We can now start constructing the side seams. Since our body will always be bigger at the front than at the back at bust level (yes even if you have small breasts) we have to do something to take that difference into account. By making the front bodice bigger than the back bodice we actually move the side seams back and into place. The amount of difference between front and back bodice differs for different breast sizes, as a rule you should add 1.25 cm for every cup size you have. So an  A would add 1.25 cm, a B would add 2.5 cm, a C would add 3.75 cm,...
To construct these lines measure one fourth of the bust circumference minus the difference for your cup size from the centre back line and mark that point. Square off or measure the same distance on the waist and hip line and connect the points. Since these are construction lines, you can leave them as dotted lines or draw them in pencil.  Measure one fourth of the bust circumference plus the amount required for your cup size for the front bodice from the centre front seam. Mark that point and square off as before.

We are off course no rectangles (or at least we hope we are not). In the next step we will take the form of our hips into account. Some women's bust is larger than their hips, for others it's the other way around. To figure out what applies to you, you can just see which of your body measurements is bigger. That doesn't take into account how much bigger though. That is why we will subtract half of our hip measurement from half of our bust measurement. That way we know exactly how much difference we have to take into account. If the result you get is negative, your hips are larger than your bust (you can double check if you like), you will have to add half of the result to the dotted line you drew earlier. (Adding needs to be done away from your centre front and back line so right of the left dotted line and left of the right dotted line (-a in the picture). If your bust is bigger than your hips you will have a positive result. measure half of that result off of the dotted lines (a in the picture).

Measuring up





Measure the back length on the left side starting from your waist. This determines where your shoulder and neck seams will go. Square off with a temporary line. Next measure the over bust length to determine where your shoulder should go at the front. Square off with a temporary line.


Waist not





You might have noticed that the potato sac we've currently drawn is far to big in the waist. This is of course remedied by waist darts and adjusting the side seams. To determine where the waist darts should measure half of the bust separation from the centre front. Square off with a temporary line. Use the same measurement at the back, but this time subtract an additional 0.5 cm. Square off as seen on the picture.

To calculate how much excess fabric we have to remove subtract half the waist measurement from half of the bust measurement. As we have four places to remove this excess fabric .... the resulting measurement by four. Since it will give a nicer finish to take more fabric away at the side seams than in the darts add 0.5 cm to the amount you will measure at the side seams and subtract 0.5 from the amount you will take away at the darts. You can now mark the orange points in the picture. Make sure to measure half of the dart width to the left and half of the dart width to the right of the dotted line. (as more or less seen in the picture)









Some last points to mark. Our bottom is bigger at the back than the front. That's why we will let the dart end somewhere above our hip measurement. This allows for some extra room. The amount used here is usually 2.5 cm. This is however arbitrary and can be changed to your liking. The same goes for your breast measurement. Remember how we said in the beginning that our bust line was actually our armhole line? You will have to determine the placement of your real bust point. Do this by measuring your bust point to waist measurement up from the waist over the dotted line. Mark that point as Bust point. (This is a handy reference point in later pattern adjustments. 

In the next step simply connect all points as seen in the picture on the right.



Because our hips are curved in real life, we're going to curve them too. measure eight cm down along the side seams from the waist. Measure out 1 cm parallel to the waist (perpendicular to the dotted line you drew in). Connect these three points with a French curve. 

Draw a straight line down from the hip to make the side seam of the skirt.





Shoulder and neck seams


Measure 6 cm from the centre back along the line you drew earlier, this is a fixed measurement for the neck. mark this point. Measure another 9 cm to the right and 3 cm down. Mark this point as well. Do the same for the front bodice. The only difference is that the fixed measurement there is 6.5 cm.
Now you can draw the shoulders. Connect the two points you made earlier with a straight line, exactly the length of the shoulder measurement. Add 1 cm to the line in the back bodice. These are temporary lines  and will have to be adjusted later on.














Next we will determine the neck depth. at the back this is another arbitrary measurement, usually 1 cm. In front use the neck depth measurement you took. Connect all lines with a French curve. 

Armholes and shoulder darts




Measure the line resulting between the neckline and bust line. Divide by two, but mark the point 1 cm below half of the line. Measure and mark half of the cross back width. Connect the three points with a French curve.



Now for the other arm. This will be a bit trickier. Divide the line between bust and neckline by three. Measure one third down from the neckline and draw a temporary line perpendicular to the centre front. 

We have to decide where to put our front shoulder dart next. Take half of the bust separation plus 3 cm. Put the zero for your ruler on the centre front seam and slide up, perpendicular to the centre front. When the measurement you took crosses the shoulder line (as seen in the picture) stop and mark this point.






Connect this point to the bust line at the dart you drew earlier. Next measure the dart width along the shoulder line you drew at fist. The dart width is a fixed measurement and depends on your bust size. Someone with a bust size larger than 80 cm and smaller than 90 cm would have to measure 6.5 cm. Someone with a bust size between 90 and 100 would have a dart width of 7,5 cm, for busts over 100 the bust width would be 9.5, for busts of 110cm the width would be 12 and for bust sizes starting from 125cm the bust width will be 15cm. Connect this point to the bust line as well.
T
The next point is the trickiest part of the whole process. You will have to close the dart to get the pattern just right. If you have sewn before this will likely be no real challenge. Fold the right dart line in such a way that it lies directly on top of the left dart line. This becomes considerably easier if you let the majority of the patter hang from a table. Position the dart point (bust point) on the corner of the table and let all of the lines under the bust line hang over the side. When you have folded the pattern successfully (and checked that the sides of the dart do line up correctly) take a ruler and extend the two lines (shoulder and chest line) as shown on the picture. It's not necessary to measure correctly at this point, but you eliminate an extra step by doing so. Check that the shoulder seam is exactly as long as the shoulder measurement. Check that the chest line (between shoulder and bust) is exactly as long as half of the chest measurement.

Put the pattern paper back in place and unfold the dart. You should now have a dart and a pattern piece that is slightly slanted (more or less as shown above). You can double check the measurement for the shoulder and chest by measuring the part right of the dart (the one you constructed first) and adding that to the part you have constructed after that. Connect the three points you have now constructed with a French curve.



It's time for the last construction: the back shoulder dart. Remember how we added one extra cm? We will have to take that away to make the shoulders match op correctly. Why bother doing this? Ever noticed that your shoulders aren't really flat either? They are curves too, and they need the dart to ensure the proper round shape of the arm. Constructing it is easy. First you'll have to extend the dotted line you made before (the one for the back dart) once you have done so, measure 9 cm down from the shoulder along this line. Mark this point. Next measure 0.5 cm left and right of the point where the dotted line crosses the shoulder line. Mark these as well. connect both to the point you marked first. Notice how the dart is asymmetrical? We will have to fix this or our patter wont line up. Measure the length of the left dart leg. (the longest one) make sure the shorter one has the same length (measure and add the necessary line) mark that point. connect this last point to the shoulder tip you created earlier (end of the shoulder on the right).

Congratulations! You have successfully drafted a pattern block! It should look somewhat like this! (Note that I didn't use any real measurements wile making this diagram in paint, and that all sets of measurements differ somewhat so your pattern will look somewhat different, and that is of course the point of a good fit...) You can add some height measurements for skirt lengths if you like (as shown on the right). I like to add mini, knee, and somewhere in between lengths.


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Tuesday, 4 March 2014

The Joan Dress construction drawing


When trying to get my head around how a dress or piece of clothing is pieced together I like to make some construction drawing sketches. These basically show the construction of the garment, where the seams are supposed to go, where the garment is tightly fitted and where it is flary, if there are any darts or other forms defining features.

The front of the dress is pretty straightforward. It features a pencil skirt, waistband and a shirt like bodice with a sculpted collar.


The bodice:
I can see two large bust darts, crossing the bust slightly right of the bust point and ending somewhere above that point. The bust point is the point in your bust that is the fullest, most protruding part.
The shoulder seams are not on top of the shoulder but at a slanting angle some cm down from the shoulder. This lets me to believe that there will be some form of yoke at the back of the dress. (a technique often seen in Safari shirts,...)
The bodice has arms that extend right to the elbow and are close fitting.
The most important part however is the crossing wrap like fabric. Which ends on the right side into a folded over collar and on the left side in a loose decorative flap.

The waistband:
seems to sit really snugly in the picture, bodice fabric seems to hang over it a bit. This feature accentuates the hourglass figure of the dress.

Skirt:
A rather regular pencil skirt with three slanting pleats in stead of darts at the top to give the skirt it's fullness. Pleats are all in the side quarters of the skirt.


back:
Since I have only one picture of the Joan dress, had to imagine / design the back myself.
As I said I expect the use of a yoke in the back, and of course two darts to match the design of the front body. I added an ornament to the waistband at the back for closure off the dress (I will explain in a moment). And added the same pleats as in the front. Realising then that there has to be some booty room in the back of the skirt I added some more, all slanted and getting progressively larger. I probably will change that in the future though.

Closing:
I suspect the dress on the picture is probably closed with a zipper from the side and the front is just a fake wrap dress with the front being stitched down invisibly by stitching a facing (dotted lines on the picture) for the front part to the back part. I might just do that but I got another crazy idea too. Use a zipper in that front seam and make the waistband wrap around and snap shut at the center back. That way it really is an easy step into wrap dress, without any risk of 'unwrapping'.

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