01 02 03 Miss Smartie's Sewing 04 05 15 16 17 18 19 20 21 24 21 24 21 24 25 26 27 28 29

Miss Smartie's Sewing

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Friday, 4 April 2014

Past projects part 3: the dinosaur dress

I picked up this cute and amazing fabric over a year ago on the fabric fair. It features cute dinosaurs in all colours and shapes. Soon after arriving home I realised that the pattern I planned doing in it would not do at all. It had lots of pleats and I loved the fabric to much to let that happen. Since I originally planed to do a sheath dress in this I didn't purchase a lot of fabric.

Butterick 5603 pattern illustration
I went looking for a pattern with big panels wherethe small and very busy print  wouldn't be overcrowding and I would be able to  make the dinosaurs shine. After surfing the Internet, my eye fell on Butterick 5603. A pattern I've seen incarnated a lot both in stylishly retro fashion and with awesome novelty prints. It were these projects that convinced me because the butterick version looks slightly horrendous. I realised I needed that pattern. Now!! So I bought it as my first PDF printable pattern, since I did not know where I would be able to pick up Butterick patterns here in Belgium.

That turned out to be a mistake. I found the printing facilities a bit weird. (you only get to print it 3 times ever in the same year you purchased it) this got me all worked up and worried since I tried to print it on my laptop, realised I had selected the wrong printer and ended up almost immediately ruining the times I could print. Eventually it worked, and I might just purchase a pattern like that again if I'm really in a hurry.

Taping up all of the pattern pieces isn't that difficult, but it takes some extra time. I'm pretty conflicted about printed patterns since they are usually on normal (stiff) paper. this makes them more durable, but can be anoying when you want to store (the original) pattern pieces away. I spend all of my allotted sewing time preparing the pattern and lost interest in it for a whole while, due to school and real live stuff.

After being on my to do list for more than a year I decided to start work on the dress again. In the middle of my exams, witch is usually the time when I get all sewing obsessed and start watching you tube technique videos. I started doodling design options for the dress. I quickly worked out that I did not want to make the dress plainly as it was, and I feared I didn't have enough of the Dino fabric to make a full skirt as it was anyway. (The first pattern I planned on making had a pencil skirt.)

I put together some of my stash fabrics with the Dino fabric and really liked how a bright green went with the Dino's. I paired this with a slightly stretchy black I had lying around for ages. I thought that it would look good to have some design accents in green and maybe some panels in black because the dress would otherwise look to crowded. I decided I wanted black side panels and I wanted them to continue into the bodice of the dress. The only problem was that the dress there are only six panels in the original dress and the bodice is made up out of one piece. I daringly set out to make my first design related pattern adjustments on an existing pattern.

I ended up drawing my own wide dramatic collar and added a wide strip of green to the hem of the dress to balance this out. I split up the side panels into halves at the darts in the front and the same distance in the back. One part would be black the other Dino! I had to redraw the font and back bodice pieces. The back was pretty easy. I just marked the line I wanted and cut it off. I then added seam allowance and notches. The front was a little bit more difficult. I had  decided on a princess seam and if possible I wanted to eliminate the front bodice gathers, so they would not disturb my dinosaurs. I drew the design line I wanted and then added 2 cm extra ease to the curve in the side. This made shure the dress would curve nicely. I walked the distance of the seam multiple times to make sure the fit would be correct. It all turned out pretty well, but I think I overdid the ease since the bodice fits a bit loosley.

I did do a muslin for this project, but nothing much surprising happened so I happily started sewing. The design lines didn't allign perfectly, but I thought I would be able to fix that later on in the real thing. A dangerous assumption.

While constructing the garment I realised the dino fabric was to sheer and would be see through. I added the green fabric as interfacing. this looked awesome and neat on the table, but the combined stiffness of these fabrics really made my dress a tad wild and poofy.

I used (my first) french seams on the seams in the skirt and lined the bodice. I added some bias band to the hem, but this added even more stiffness and made the dress look a bit weird. after wearing it a wile it the skirt usually settles down a bit so I decided to leave it as it was.

I love the inside of the dress.
Those polkadots and french seams always make me smile.
It was also my first time trying to match up a novelty fabric. I read about it on the Internet and decided to try to match the horizontal seams. I apparently did something wrong there, I think I didn't take the seam allowance of the seams on the sides into account. the dress ended up looking good, so I didn't really mind. Didn't have enough fabric for a second try either.

The most difficult part of the construction was the matching up of the horizontal seam between bodice and skirt. I ended up shifting the fabric around quite a bit. I had to take in some fabric in the black part of the dress, witch was unfortunate because it nearly eliminated all of the wearing ease I needed there, but fortunate since the black fabric turned out to be stretchy enough to accommodate movement and even a lot of eating.

In the end I'm really proud of this dress. I learnt tons of new techniques like french seams and tried out others like matching novelty fabrics at the seams. I used my first printable pattern and my first pattern with seam allowance included. (I can tell you what a revelation!!). I feel like I've learnt ton's (also first time to use interfacing, and invisible zip, purchased bias band) and I cannot wait to learn more.

I went to the (Antwerp) Zoo yesterday and my boyfriend took these absolutly adorable pictures. Thank you so much!



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Friday, 28 March 2014

The Joan dress pattern construction

I started work on the Joan dress for the mad man competition. I'm seriously doubting weather I will be able to finish it before the deadline, but school has been enormously busy lately. This is how I adjusted the basic sloper pattern I made earlier to make the Joan dress I discussed in the construction drawing post earlier this month. I made some photo's during the process, but since it's usually a lot of trial and error for me I doubt I can show you guys a really clear step by step tutorial on how to draft this dress for yourself. I have jet to make a muslin for this project but I will be sure to add any changes I need to make to this description later on.

note: I did do a muslin before publishing this. I made a lot of changes mainly because I had the waistband marked to low at first and because my side seams where off by two cm. A mistake I made in my sloper pattern but only caught up on while making the muslin. This caused a lot of trouble to get right the second time. But the good news is If you get it right the first time it won't trouble you at all. I will add the pictures to this tutorial after finishing the dress.

If you want to do this process for yourself just follow the steps I discus below. Be sure to copy your basic sloper and all of it's construction lines first.

The back of the dress

I like to add all of the horizontal lines in my construction drawing first before manipulating any darts or existing construction points. That way I can separate the pattern pieces before changing them. I started out by deciding where the waistband should go. I decided to place it evenly around the waistline and make it 5cm wide. I marked this on a my dress sloper (not the original) and just drew a straight line parallel with the waistline 5cm above the waistline.

Next I checked the length of the dress and figured that I needed some extra cm to get it to the right just over knee length. I measured my waist to length of skirt measurement from scratch and simply added the extra cm at the bottom.

The last horizontal line in the back of the dress is the yoke. I wanted it to curve in a little and start somewhere halfway up the armhole. I took the existing construction line of the with of back measurement and measured 2 cm up from there. I then connected these two points with a French curve, intersecting the very tip of the shoulder dart. This makes the adaptation somewhat easier.

I then cut out all pattern pieces along these horizontal lines. Separating them into a back bodice, back of waistband, back skirt and back yoke.

Manipulating the back darts

Let's start with the easier pattern pieces. For the yoke I just folded the dart shut and taped that down. Since the dart separates the whole part in two I didn't have to do anything else. I did the same for the waistband, making sure that I left in all of the required room. That means I only folded in the dart parts that crossed the entire pattern piece vertically.

Next came the back bodice. I wanted the dart to start in the middle and go up at an angle in the direction of the shoulder blades. I drew the new dart line I wanted in and cut the pattern open along this line and along the original dart line. I then just taped the original dart shut as precisely as possible. The new dart automatically opens up the required space.

The most difficult part of the back of the dress is the sunburst pleated skirt. I wanted some special details here that would mirror the pleats in the front dress but at the same time elegantly stress the female shape. I drew in several pleats with varying lengths. To get these onto a pattern I first figured out where I wanted the pleats to go and how long I wanted them to be, this process is arbitrary. I made the middle pleats longer and matched them to the new darts in the back bodice. I then drew in two shorter pleats in a sunburst pattern, experimenting a bit to see witch lines pleased me the most. After doing that It's smart to mark these lines clearly and mark where you want your pleat to end. Since these pleats are meant to add a little extra fabric you will have to cut them open beyond that point. I cut them all until the hip line and then cut them loose again. I put all these pattern pieces on top of some pattern paper and started tracing around. I started piecing the pattern together adding the extra fabric I wanted in between the ends of the darts. (1cm). I did this by laying out the pieces and shifting them around. The pattern pieces shouldn't overlap at the hip line or your pattern will be ruined. You have to move the pattern piece up to solve this. The finished piece should look something like this.
original dart

Front of the dress

The front of this dress is tricky in all of its simplicity. Lets start with the easy parts. Mark of the waistband as before 5 cm on top of the waistline. Lengthen the skirt by the same amount as you did in the back. Decide on where the front yoke should go. This is a bit tricky since the shoulder dart is in the way now. Draw a line from where you think it should go to the dart. At the angle you want. Measure from the shoulder along the dart line how much you have taken away. Measure the same length on the other side of the dart and mark that point. Draw a line from this point to where you think the yoke should end. Cut these parts out and paste them together along the dart line. Add the front yoke to the back yoke at the shoulder seam.

Fold the darts of the waistband shut and tape them down. Add front and back waistband together by putting the points of the pattern together and adding some extra room where the side seam would normally go. Trace around this entire piece and tape together at the right seam.

The skirts construction is very similar to the back skirt. Just close the original dart and mark of the pleats. The only difference between back and front is the placements of the darts (at regular intervals in the side half of the pattern piece, at a slight angle and 2.5 cm long. I also added 1cm of fabric in between the darts and cut these open rather far. Folded open the pattern and taped everything in place.

The front bodice is the most complicated part of the dress. The collar is really defining for the cut and the pattern needs a lot of adjusting. I changed the original darts first and then started worrying about the collar. I simply increased the height of the original vertical dart so that it reaches slightly beyond the bust point. I then cut both darts open and closed the top dart, taping it shut. The new dart is a wider version of the original dart.

For the right part of the collar I drew the neckline down by hand in a way I thought resembled the picture. I messed this one up hugely first time around. I recommend using a sewing dummy with the sloper pattern lines visible on top of it while trying to judge this. You will have to go reasonably low since the collar will otherwise smother you. I'll add a picture later of this pattern piece with the Original sloper neckline, my first and my corrected neckline. I just drew this on my muslin while fitting and transferred to the pattern later on. It's still in a curve that is sort of pointed.

If you have drawn in the neckline you can now measure the length of the collar. just measure along the line you drew with your tape measure curved. Do not forget to add the yoke part of the neckline twice since that's cut on the fold. This will be the width of your collar pattern. For the height you will need to decide the look of your collar yourself. If you want a 5 cm collar you will need this twice and a standing piece of 4 cm twice as well. this was much to much collar for me so I took it down 1.25 cm on all of these measurements for my second sloper. Write these measurements down somewhere, we have to make the front collar piece first.

the front collar flap is a rectangular extension of the Original bodice. extend the bodice piece until the fold. this is until the left bust dart for me. draw a line perpendicular to the bottom of the bodice and up. decide where you want the folding point. this is more or less at the same height as the darts. (You can just draw a line from the tops of the darts till the side to determine this point. connect this point to the start of the shoulder and draw a square with this line as a diagonal. If you used this pattern you would just have a straight flap. looking at the picture however the fabric is folded over and the collar extends into the front flap. to get this effect measure up half of the collar height measurement you took. (so if you did 5 cm and 4 cm stander you would have 9 cm here.) square this of and make a rectangle on top of the square. the collar will connect to this flap on the straight line from shoulder to the top. The only thing you need now is a facing for this part (since if it flaps over you would normally see the wrong side of the fabric. put a piece of pattern paper on top of the pattern you just drew. copy the lines of the rectangle and the shoulder. Decide where you would like the facing to end along the shoulder seam. connect this to a point you choose along the bottom of the bodice. I took the dart placement since then I can connect my pattern piece to the left bodice part. In a subtle way. tape the rectangle you drew for the collar to this piece at the left vertical line of the rectangle, connected to the shoulder. you should have half of the collar piece taped to the rectangle and half of it sticking out of the top.



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Thursday, 6 March 2014

The basic dress sloper: measurements and equipment

Since our Joan dress is based on the ultimate basic off all dresses (the sheath dress) I thought I would redraft my own dress sloper and make a little tutorial for you in the process of doing so.

What is a sloper or block?

This is a standard pattern from witch other patterns can be determined. It is drawn from your own measurements and ensures a good fit. Testing this pattern out with a muslin is however always a good idea, to get the fit just right. When you have perfected your own sloper or block you can reuse it again and again to draw different patterns. The time needed to draw this block will be well spent since it makes the process a lot easier from then on.
Slopers are also available as patterns from all the major pattern companies.
 This saves you the trouble of drawing one but does require a lot more fitting afterwards.

Equipment you will need:

A large piece of pattern paper (at least as long as your height till knee size)
pencil
pen
a ruler
a tape measure
a set square to make right angles.
a French curve (this is not really necessary but will enable anyone to draw a nice curve)
your own measurements

Measurements

If you want to do any serious pattern drafting you will have to get a set of your correct body measurements. It is best to not do this on your own, since you will be moving your body in the process of trying to get a measurement and by doing so, you will get an inaccurate measurement. Ask someone to help you out and get a set of measurements based on the pictures I will post here. Keep and treasure these, since you do not want to take your measurements every five minutes (witch I inevitably end up doing).

You will also have to be honest about your own measurements. Its often all to tempting to add or subtract some cm to our measurements, wishing for that look we can never quite achieve. Do not do this. You can undoubtedly see this will lead to poor fit and might even cause the pattern not to fit at all. It's so much more flattering for our figure when we wear clothes that actually fit us, you will experience this when you wear your clothes. Having baggy loose parts where you magically wished your breasts to be bigger will not look good, neither will it be flattering to have a super tight, almost burst out of the seams, waist if your waist is not as small as you measured it to be. Wearing a pattern that actually fits you will make a ton of difference. Combine this with a basic knowledge of pattern drafting and the knowledge of what silhouettes will flatter your body type and you will never look at clothing the same way again. Want something to look bigger? Add some flounce to it. Want other parts to look smaller? Do not force them to be small but let them appear smaller. You cannot change your body type, but you can change the way you body looks.

The numbers are nothing to be afraid of, you write them down and then never tell anyone about them. Ready to wear sizing is different from brand to brand, country to country. Clothing made from patterns you buy or draft will also be based on different measurement systems. I know that there is a mental threshold for a lot of us, desperately (not) wanting to be a certain size. The truth of it is, we are rarely one straight size all over anyway. We are smaller or longer than the standard body measurement, or are larger on top than in the bottom, or somethimes the other way around.  That is why making your own pattern or adjusting your own pattern is so crucial to get the fit just right.

Taking measurements

Stand up straight and face forward. Try to wear as little as possible or just items of clothing you will be wearing underneath your finished clothing. Let someone else do the measuring, believe me you will get a more accurate fit and be left with no sprained limbs.

You will not need all of these measurements to draft the basic sloper block, the measurements included here are however frequently used as well. I will mark all measurements that are not strictly needed for the next tutorial with an exclamation mark after the title.

Bust, waist and hips


Measure around the fullest part of your bust for the bust size. Make sure that the measurement sits straight all the way around you. (It should not be lower at the back). Mark this line for future reference with a piece of string. In thin example the bust line is the highest white string. It should run parallel with the measurements of the waist and hip.

The waist measurement is the circumference of smallest part of your body. It's usually around 2 cm above your belly button. Mark this point with a string as well. If you bend sideways the string should not move up or down. If this is the case you have found your natural waist.

For the hip measurement you have to measure the fullest part of your hips and bottom. Remember that standing with legs together or apart will have an influence on this measurement. It's best to stand straight and relaxed with legs together. Mark this point as well.

Neck!

If you look this measurement up online, sources tend to disagree. For this tutorial however we are going to measure neck as the circumference of the neck with the measuring tape crossing over below our chin in the little hole between our collarbones.

Shoulder

This measurement is pretty straightforward. Measure from the neck (approximately where you measured just before or where the neckline of a garment would usually be) to where the seam for your sleeve should be. this is the part where your arm starts curving inward. Mark the point where the zero is (for example with eyeliner), you will need this later.

Nape to waist!

Measure at your back from the point where you feel the beginning of your spine (the little knobble at the end of your neck) to where you marked your waist. Make sure this measurement is perpendicular to the measurements of waist and bust.

Waist to hip

Measure from the marked waist to the marked hip, make sure this measurement is perpendicular to the marked lines.

Bust back to waist!

Measure the distance between the marked out bust and waistline. This should be done at the back and perpendicular to the waist and bust measurements.

Chest

This is the measurement at the top of the bust, from armpit crease to armpit crease. The measurement is taken over the top part of your bust and runs from the creases you see between your arms and chest if you are holding your arms next to your body.

Below arms height


Also called height of the arm. Height measured from a ruler held under the arm to the waist. Stick a ruler underneath your arm and hold tight, squeezing your arm a bit. Let your partner measure down.

Bust separation


This is the measurement from the highest point of your one breast to the highest point of your other breast. usually boils down to the measurement from nipple to nipple.

Bust point to waist


Measurement from the highest point of the breast down to the waist. So again for most women from the nipple to the waist down in a straight line. Remember that you will be measuring this with a bra most of the time, since you will be wearing bra's most of the time underneath the garments you construct. Just for clarity's sake: you only have to measure until waist length. The middle circumference you marked.

Neck depth


Measurement from an imaginary line parallel to your collarbone to the highest point of the shoulder . The one you marked earlier. (You can see the pin where I marked this point on my sewing dummy)

Over bust length



Measurement from the highest point of the shoulder (next to the neck, again the one you marked) to the waist, passing over the fullest part of the bust.

Back length




















Measurement from the highest point of the shoulder to the waist at the back, passing over the shoulder blades.

Back width

This the measurement from the side crease between arm and back to the side crease between arm and back, it runs from armpit to armpit and is measured above the bust.

Below bust!


This is the circumference of the body just below the bust, on top of the ribcage. This circumference subtracted from the bust circumference is used to determine cup sizes in bra's. The more difference there is in these two measurements the higher your cup size will be.

High hip!



This measurement sits around the hip nine cm below the waist. Other sources place it halfway between waist and hip. I will be using the nine cm version, or indicating otherwise. It goes over the hip points. (those knobbly protruding bony things) and is approximately the height at witch most pants end nowadays. If you use two hip measurements the sloper will become a lot more accurate and it will follow your curves more nicely.

Armscye!

This is the circumference of the arm hole. This measurement is somewhat tricky. You need to be able to move around comfortably within the sleeve. Take this measurement with some ease and compare it with a well fitting piece of clothing that does not stretch. You can also estimate the measurement using this formula: If your bust is 76 the armscye should be 19, 8 cm. for every 'extra" 4 Cm you should add 0.4 cm to the initial 19.8. For example. My bust size is only 81 cm. This is 4 cm extra. 19.8 + 0.4 = 20.2



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